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ISRC

COSO10600338

LO MEJOR PARA LOS DOS (TODO DE CABEZA)

Song: LO MEJOR PARA LOS DOS

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COSO10600338 is the International Standard Recording Code (ISRC) for the recording "LO MEJOR PARA LOS DOS (TODO DE CABEZA)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KALET MIGUEL MORALES.

Format

COCountry
SO1Registrant
06Year (2006)
00338Designation
Country:
ISO 3166-1 alpha-2 country code (CO).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

KALET MIGUEL MORALESComposer
SONY MUSIC COLOMBIA OriginalPublisher0.00%IPI: 00241988051
SONY/ATV DISCOS MUSIC PUBLISHING LLC RightsAdministrator100.00%IPI: 00339319841

Who publishes this song?

SONY MUSIC COLOMBIAOriginalPublisher
IPI: 00241988051
SONY/ATV DISCOS MUSIC PUBLISHING LLCRightsAdministrator
IPI: 00339319841
SourcesMLC

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People also ask

What is the ISRC for "LO MEJOR PARA LOS DOS (TODO DE CABEZA)"?
The ISRC for "LO MEJOR PARA LOS DOS (TODO DE CABEZA)" is COSO10600338.
Who wrote "LO MEJOR PARA LOS DOS (TODO DE CABEZA)"?
"LO MEJOR PARA LOS DOS (TODO DE CABEZA)" was written by KALET MIGUEL MORALES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC COSO10600338?

COSO10600338 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "LO MEJOR PARA LOS DOS (TODO DE CABEZA)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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