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NI TIEMPO, NI DISTANCIA album cover

ISRC

COC010526183

NI TIEMPO, NI DISTANCIA

Song: NI TIEMPO NI DISTANCIA

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COC010526183 is the International Standard Recording Code (ISRC) for the recording “NI TIEMPO, NI DISTANCIA”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JUAN FELIPE RAMIREZ CALDERON.

Format

COCountry
C01Registrant
05Year (2005)
26183Designation
Country:
ISO 3166-1 alpha-2 country code (CO).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JUAN FELIPE RAMIREZ CALDERONComposer
CODISCOS S A S OriginalPublisher0.00%IPI: 00478650219
SPIRIT TWO MUSIC CRESCENDO RightsAdministrator100.00%IPI: 01174826144

Who publishes this song?

CODISCOS S A SOriginalPublisher
IPI: 00478650219
SPIRIT TWO MUSIC CRESCENDORightsAdministrator
IPI: 01174826144

MLC Song Code

N1836E
Verify on MLC Portal →
SourcesMLCMusicBrainz2 sources

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People also ask

What is the ISRC for "NI TIEMPO, NI DISTANCIA"?
The ISRC for "NI TIEMPO, NI DISTANCIA" is COC010526183.
Who wrote "NI TIEMPO, NI DISTANCIA"?
"NI TIEMPO, NI DISTANCIA" was written by JUAN FELIPE RAMIREZ CALDERON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC COC010526183?

COC010526183 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NI TIEMPO, NI DISTANCIA”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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