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ISRC

CH8291500495

Die Zauberflöte, woO 46: Variations in E-flat major on “Bei Männern, welche Liebe fühlen”

Song: Seven Variations in E-flat major on Mozart’s “Bei Männern, welche Liebe fühlen”, WoO 46

Mischa MaiskyMartha Argerich
Released 2015-05-11

Last verified:

CH8291500495 is the International Standard Recording Code (ISRC) for the recording "Die Zauberflöte, woO 46: Variations in E-flat major on “Bei Männern, welche Liebe fühlen”" by Mischa Maisky, Martha Argerich, released 2015-05-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CHCountry
829Registrant
15Year (2015)
00495Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Die Zauberflöte, woO 46: Variations in E-flat major on “Bei Männern, welche Liebe fühlen”" by Mischa Maisky?
The ISRC for "Die Zauberflöte, woO 46: Variations in E-flat major on “Bei Männern, welche Liebe fühlen”" by Mischa Maisky, Martha Argerich is CH8291500495.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH8291500495?

CH8291500495 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Die Zauberflöte, woO 46: Variations in E-flat major on “Bei Männern, welche Liebe fühlen”" by Mischa Maisky, Martha Argerich. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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