ISRC

CH6540844192

ONE LAST TIME (ORIGINALLY PERFORMED BY DUSTY DRAKE) - KARAOKE VERSION

Song: ONE LAST TIME

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CH6540844192 is the International Standard Recording Code (ISRC) for the recording "ONE LAST TIME (ORIGINALLY PERFORMED BY DUSTY DRAKE) - KARAOKE VERSION". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PATRICK JASON MATTHEWS, KERRY KURT PHILLIPS.

Format

CHCountry
654Registrant
08Year (2008)
44192Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCONE LAST TIME (ORIGINALLY PERFORMED BY DUSTY DRAKE) - KARAOKE VERSION

People also ask

What is the ISRC for "ONE LAST TIME (ORIGINALLY PERFORMED BY DUSTY DRAKE) - KARAOKE VERSION"?
The ISRC for "ONE LAST TIME (ORIGINALLY PERFORMED BY DUSTY DRAKE) - KARAOKE VERSION" is CH6540844192.
Who wrote "ONE LAST TIME (ORIGINALLY PERFORMED BY DUSTY DRAKE) - KARAOKE VERSION"?
"ONE LAST TIME (ORIGINALLY PERFORMED BY DUSTY DRAKE) - KARAOKE VERSION" was written by PATRICK JASON MATTHEWS, KERRY KURT PHILLIPS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540844192?

CH6540844192 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "ONE LAST TIME (ORIGINALLY PERFORMED BY DUSTY DRAKE) - KARAOKE VERSION". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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