ISRC

CH6540844079

WISHING I WAS THERE (ORIGINALLY PERFORMED BY NATALIE IMBRUGLIA) - KARAOKE VERSION

Song: WISHING I WAS THERE

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CH6540844079 is the International Standard Recording Code (ISRC) for the recording "WISHING I WAS THERE (ORIGINALLY PERFORMED BY NATALIE IMBRUGLIA) - KARAOKE VERSION". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by P. THORNALLY, NATALIE JANE IMBRUGLIA, C. CAMPSIE.

Format

CHCountry
654Registrant
08Year (2008)
44079Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "WISHING I WAS THERE (ORIGINALLY PERFORMED BY NATALIE IMBRUGLIA) - KARAOKE VERSION"?
The ISRC for "WISHING I WAS THERE (ORIGINALLY PERFORMED BY NATALIE IMBRUGLIA) - KARAOKE VERSION" is CH6540844079.
Who wrote "WISHING I WAS THERE (ORIGINALLY PERFORMED BY NATALIE IMBRUGLIA) - KARAOKE VERSION"?
"WISHING I WAS THERE (ORIGINALLY PERFORMED BY NATALIE IMBRUGLIA) - KARAOKE VERSION" was written by P. THORNALLY, NATALIE JANE IMBRUGLIA, C. CAMPSIE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540844079?

CH6540844079 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "WISHING I WAS THERE (ORIGINALLY PERFORMED BY NATALIE IMBRUGLIA) - KARAOKE VERSION". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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