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ISRC

CH6540843803

CHANGE YOUR MIND (ORIGINALLY PERFORMED BY SISTER HAZEL) - KARAOKE VERSION

Song: CHANGE YOUR MIND

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CH6540843803 is the International Standard Recording Code (ISRC) for the recording “CHANGE YOUR MIND (ORIGINALLY PERFORMED BY SISTER HAZEL) - KARAOKE VERSION”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RYAN NEWELL, JEFF BERES, MARK TROJANOWSKI, and others.

Format

CHCountry
654Registrant
08Year (2008)
43803Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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KEN BLOCKIPI

People also ask

What is the ISRC for "CHANGE YOUR MIND (ORIGINALLY PERFORMED BY SISTER HAZEL) - KARAOKE VERSION"?
The ISRC for "CHANGE YOUR MIND (ORIGINALLY PERFORMED BY SISTER HAZEL) - KARAOKE VERSION" is CH6540843803.
Who wrote "CHANGE YOUR MIND (ORIGINALLY PERFORMED BY SISTER HAZEL) - KARAOKE VERSION"?
"CHANGE YOUR MIND (ORIGINALLY PERFORMED BY SISTER HAZEL) - KARAOKE VERSION" was written by RYAN NEWELL, JEFF BERES, MARK TROJANOWSKI, KEN BLOCK, ANDREW COPELAND.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540843803?

CH6540843803 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “CHANGE YOUR MIND (ORIGINALLY PERFORMED BY SISTER HAZEL) - KARAOKE VERSION”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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