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A Midsummer Night's Dream, Op. 61 (1843): VI. Melodram Recitations and Music. What thou seest album cover

ISRC

CH4212400095

A Midsummer Night's Dream, Op. 61 (1843): VI. Melodram Recitations and Music. What thou seest

Felix Mendelssohn
Released 2024-10-18

Last verified:

CH4212400095 is the International Standard Recording Code (ISRC) for the recording "A Midsummer Night's Dream, Op. 61 (1843): VI. Melodram Recitations and Music. What thou seest" by Felix Mendelssohn, released 2024-10-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CHCountry
421Registrant
24Year (2024)
00095Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "A Midsummer Night's Dream, Op. 61 (1843): VI. Melodram Recitations and Music. What thou seest" by Felix Mendelssohn?
The ISRC for "A Midsummer Night's Dream, Op. 61 (1843): VI. Melodram Recitations and Music. What thou seest" by Felix Mendelssohn is CH4212400095.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH4212400095?

CH4212400095 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "A Midsummer Night's Dream, Op. 61 (1843): VI. Melodram Recitations and Music. What thou seest" by Felix Mendelssohn. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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