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Messe Nr. 3 F-moll: Credo. Allegro album cover

ISRC

CH0041400030

Messe Nr. 3 F-moll: Credo. Allegro

Song: Messe Nr. 3 in f-Moll, WAB 28: III. Credo

Chor des Bayerischen RundfunksBamberger SymphonikerRobin TicciatiHanna-Elisabeth Müller
Released 2014-04-21

Last verified:

CH0041400030 is the International Standard Recording Code (ISRC) for the recording "Messe Nr. 3 F-moll: Credo. Allegro" by Chor des Bayerischen Rundfunks, Bamberger Symphoniker, Robin Ticciati, Hanna-Elisabeth Müller, released 2014-04-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CHCountry
004Registrant
14Year (2014)
00030Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Messe Nr. 3 F-moll: Credo. Allegro" by Chor des Bayerischen Rundfunks?
The ISRC for "Messe Nr. 3 F-moll: Credo. Allegro" by Chor des Bayerischen Rundfunks, Bamberger Symphoniker, Robin Ticciati, Hanna-Elisabeth Müller is CH0041400030.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH0041400030?

CH0041400030 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Messe Nr. 3 F-moll: Credo. Allegro" by Chor des Bayerischen Rundfunks, Bamberger Symphoniker, Robin Ticciati, Hanna-Elisabeth Müller. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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