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It’s All the Way Live, Pt. 1 album cover

ISRC

CAU117805152

It’s All the Way Live, Pt. 12

Song: IT'S ALL THE WAY LIVE

Lakeside
matched
Released 2013-06-13

Last verified:

CAU117805152 is the International Standard Recording Code (ISRC) for the recording “It’s All the Way Live, Pt. 1” by Lakeside, released 2013-06-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by F. LEWIS.

Format

CACountry
U11Registrant
78Year (1978)
05152Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1978):
Last two digits of the reference year (1978). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

F. LEWISComposer
SONY/ATV TUNES LLC DBA PORTRAIT/SOLAR OriginalPublisherIPI: 00129447265

Who publishes this song?

SONY/ATV TUNES LLC DBA PORTRAIT/SOLAROriginalPublisher
IPI: 00129447265

MLC Song Code

I8903G
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "It’s All the Way Live, Pt. 1" by Lakeside?
The ISRC for "It’s All the Way Live, Pt. 1" by Lakeside is CAU117805152.
Who wrote "It’s All the Way Live, Pt. 1"?
"It’s All the Way Live, Pt. 1" was written by F. LEWIS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CAU117805152?

CAU117805152 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “It’s All the Way Live, Pt. 1” by Lakeside. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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