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See, See My Playmate album cover

ISRC

CASD10800529

See, See My Playmate2

Song: SEE, SEE MY PLAYMATE

Kate Higgins
matched
Released 2010-09-14

Last verified:

CASD10800529 is the International Standard Recording Code (ISRC) for the recording “See, See My Playmate” by Kate Higgins, released 2010-09-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOSEPH MICALLEF.

Format

CACountry
SD1Registrant
08Year (2008)
00529Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JOSEPH MICALLEFComposer
ANTIOCH PUBLISHING SERVICES OriginalPublisherIPI: 00779199566

Who publishes this song?

ANTIOCH PUBLISHING SERVICESOriginalPublisher
IPI: 00779199566

Credits Graph

MLC Song Code

SVAZJX
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "See, See My Playmate" by Kate Higgins?
The ISRC for "See, See My Playmate" by Kate Higgins is CASD10800529.
Who wrote "See, See My Playmate"?
"See, See My Playmate" was written by JOSEPH MICALLEF.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CASD10800529?

CASD10800529 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “See, See My Playmate” by Kate Higgins. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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