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Du jour au lendemain album cover

ISRC

CAS501300002

Du jour au lendemain2

Song: DU JOUR AU LENDEMAIN

Sans Pression
unmatchedNot yet matched in the MLC database
Released 2013-11-05

Last verified:

CAS501300002 is the International Standard Recording Code (ISRC) for the recording “Du jour au lendemain” by Sans Pression, released 2013-11-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CACountry
S50Registrant
13Year (2013)
00002Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

ROUSSEAU RAYMONDComposer

MLC Song Code

DVB77L
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Du jour au lendemain" by Sans Pression?
The ISRC for "Du jour au lendemain" by Sans Pression is CAS501300002.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CAS501300002?

CAS501300002 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Du jour au lendemain” by Sans Pression. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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