I Miss My Baby in My Arms album cover

ISRC

CAS431538303

I Miss My Baby in My Arms2

Song: I MISS MY BABY IN MY ARMS

Duke Robillard
unmatchedNot yet matched in the MLC database
Released 2015-09-25

Last verified:

CAS431538303 is the International Standard Recording Code (ISRC) for the recording “I Miss My Baby in My Arms by Duke Robillard, released 2015-09-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CACountry
S43Registrant
15Year (2015)
38303Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

DUKE ROBILLARDComposer

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "I Miss My Baby in My Arms" by Duke Robillard?
The ISRC for "I Miss My Baby in My Arms" by Duke Robillard is CAS431538303.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CAS431538303?

CAS431538303 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I Miss My Baby in My Arms by Duke Robillard. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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