ISRC
CAO440836410
AU FOND DU TEMPLE SAINT
Last verified:
CAO440836410 is the International Standard Recording Code (ISRC) for the recording "AU FOND DU TEMPLE SAINT". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T0717254255.
Format
- Country:
- ISO 3166-1 alpha-2 country code (CA).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (2008):
- Last two digits of the reference year (2008). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
Verified on
Related
Other versions of this workView all on iswc.fm
Les Pêcheurs de perles, WD 13, Acte I : « Au fond du temple saint »
David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods
AUAB00450329
Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir)
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
FRZ116001280
Les Pêcheurs de perles : Acte I. « Au fond du temple saint »
Nicolaï Ghiaurov, Luciano Pavarotti, National Philharmonic Orchestra, Robin Stapleton
GBF071401170
Les Pêcheurs de perles, opera in 3 acts: Pearlfishers' Duet: C'est toi... Au fond du temple saint
Jean Borthayre, Libero De Luca, Orchestre de la Société des Concerts du Conservatoire, Alberto Erede
GBF075310230
Les Pêcheurs de perles: « Au fond du temple saint »
Gregory Cross, Gino Quilico, Orchestre symphonique de Montréal, Charles Dutoit
GBF079210470
People also ask
What is ISRC CAO440836410?
CAO440836410 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "AU FOND DU TEMPLE SAINT". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T0717254255, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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