Waiting Around to Die album cover

ISRC

CAN110300015

Waiting Around to Die2

Song: WAITING AROUND TO DIE

The Be Good Tanyas
unmatchedNot yet matched in the MLC database
Released 2020-04-03

Last verified:

CAN110300015 is the International Standard Recording Code (ISRC) for the recording "Waiting Around to Die" by The Be Good Tanyas, released 2020-04-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CACountry
N11Registrant
03Year (2003)
00015Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Waiting Around to Die" by The Be Good Tanyas?
The ISRC for "Waiting Around to Die" by The Be Good Tanyas is CAN110300015.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CAN110300015?

CAN110300015 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Waiting Around to Die" by The Be Good Tanyas. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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