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ISRC

CALC41100555

Cantata "Widerstehe doch der Sünde", BWV 54: III. Aria: Wer Sünde tut, der ist vom Teufel

Song: Kantate, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) Wer Sünde tut, der ist vom Teufel

Daniel TaylorTafelmusik
Released 2011-09-27

Last verified:

CALC41100555 is the International Standard Recording Code (ISRC) for the recording "Cantata "Widerstehe doch der Sünde", BWV 54: III. Aria: Wer Sünde tut, der ist vom Teufel" by Daniel Taylor, Tafelmusik, released 2011-09-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CACountry
LC4Registrant
11Year (2011)
00555Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Cantata "Widerstehe doch der Sünde", BWV 54: III. Aria: Wer Sünde tut, der ist vom Teufel" by Daniel Taylor?
The ISRC for "Cantata "Widerstehe doch der Sünde", BWV 54: III. Aria: Wer Sünde tut, der ist vom Teufel" by Daniel Taylor, Tafelmusik is CALC41100555.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CALC41100555?

CALC41100555 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cantata "Widerstehe doch der Sünde", BWV 54: III. Aria: Wer Sünde tut, der ist vom Teufel" by Daniel Taylor, Tafelmusik. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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