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ISRC

CALC41100554

Cantata "Widerstehe doch der Sünde", BWV 54: II. Recitative: Die Art verruchter Sünden

Song: Kantate, BWV 54 "Widerstehe doch der Sünde": II. Recitativo (Alto) "Die Art verruchter Sünden"

Daniel TaylorTafelmusik
Released 2011-09-27

Last verified:

CALC41100554 is the International Standard Recording Code (ISRC) for the recording "Cantata "Widerstehe doch der Sünde", BWV 54: II. Recitative: Die Art verruchter Sünden" by Daniel Taylor, Tafelmusik, released 2011-09-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CACountry
LC4Registrant
11Year (2011)
00554Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Cantata "Widerstehe doch der Sünde", BWV 54: II. Recitative: Die Art verruchter Sünden" by Daniel Taylor?
The ISRC for "Cantata "Widerstehe doch der Sünde", BWV 54: II. Recitative: Die Art verruchter Sünden" by Daniel Taylor, Tafelmusik is CALC41100554.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CALC41100554?

CALC41100554 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cantata "Widerstehe doch der Sünde", BWV 54: II. Recitative: Die Art verruchter Sünden" by Daniel Taylor, Tafelmusik. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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