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Boredom and Joy album cover

ISRC

CAJA41200001

Boredom and Joy2

Song: BOREDOM AND JOY

Jets Overhead
matched
Released 2012-07-10

Last verified:

CAJA41200001 is the International Standard Recording Code (ISRC) for the recording "Boredom and Joy" by Jets Overhead, released 2012-07-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOCELYN GREENWOOD, ADAM WILSON KITTREDGE, LUCAS STEPHEN RENSHAW, and others.

Format

CACountry
JA4Registrant
12Year (2012)
00001Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBoredom and Joy
IPIJOCELYN GREENWOOD

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Songwriter profiles

JOCELYN GREENWOODIPIADAM WILSON KITTREDGEIPILUCAS STEPHEN RENSHAWIPIANTONIA ALANA FREYBE SMITHIPIPIERS HENWOODIPI

People also ask

What is the ISRC for "Boredom and Joy" by Jets Overhead?
The ISRC for "Boredom and Joy" by Jets Overhead is CAJA41200001.
Who wrote "Boredom and Joy"?
"Boredom and Joy" was written by JOCELYN GREENWOOD, ADAM WILSON KITTREDGE, LUCAS STEPHEN RENSHAW, ANTONIA ALANA FREYBE SMITH, PIERS HENWOOD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CAJA41200001?

CAJA41200001 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Boredom and Joy" by Jets Overhead. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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