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ISRC

CAJ720330007

Suite from “Amphitryon, or The Two Sosias”: Hornpipe

Adrian ButterfieldChristopher JacksonMargaret LittleSusie NapperNigel NorthHélène Plouffe
Released 2003-10-01

Last verified:

CAJ720330007 is the International Standard Recording Code (ISRC) for the recording "Suite from “Amphitryon, or The Two Sosias”: Hornpipe" by Adrian Butterfield, Christopher Jackson, Margaret Little, Susie Napper, Nigel North, Hélène Plouffe, released 2003-10-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CACountry
J72Registrant
03Year (2003)
30007Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Suite from “Amphitryon, or The Two Sosias”: Hornpipe" by Adrian Butterfield?
The ISRC for "Suite from “Amphitryon, or The Two Sosias”: Hornpipe" by Adrian Butterfield, Christopher Jackson, Margaret Little, Susie Napper, Nigel North, Hélène Plouffe is CAJ720330007.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CAJ720330007?

CAJ720330007 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Suite from “Amphitryon, or The Two Sosias”: Hornpipe" by Adrian Butterfield, Christopher Jackson, Margaret Little, Susie Napper, Nigel North, Hélène Plouffe. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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