Eu não tô brincando (Trouble) album cover

ISRC

BRWMB0400865

Eu não tô brincando (Trouble)2

Song: EU NAO TO BRINCANDO

Kelly Key
unmatchedNot yet matched in the MLC database
Released 2005-05-23

Last verified:

BRWMB0400865 is the International Standard Recording Code (ISRC) for the recording “Eu não tô brincando (Trouble) by Kelly Key, released 2005-05-23. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

BRCountry
WMBRegistrant
04Year (2004)
00865Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Eu não tô brincando (Trouble)" by Kelly Key?
The ISRC for "Eu não tô brincando (Trouble)" by Kelly Key is BRWMB0400865.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRWMB0400865?

BRWMB0400865 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Eu não tô brincando (Trouble) by Kelly Key. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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