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AMAPOLA (VERSÃO REMASTERIZADA) album cover

ISRC

BRSME6400109

AMAPOLA (VERSÃO REMASTERIZADA)

Song: AMAPOLA

ROBERTO CARLOS
unmatchedNot yet matched in the MLC database
Released 1964-07-01

Last verified:

BRSME6400109 is the International Standard Recording Code (ISRC) for the recording "AMAPOLA (VERSÃO REMASTERIZADA)" by ROBERTO CARLOS, released 1964-07-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by EUGENE GOHIN, JOSEPH MARIA LACALLE, BERNARD LEONCE MARIE SAUVAT.

Format

BRCountry
SMERegistrant
64Year (1964)
00109Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1964):
Last two digits of the reference year (1964). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCAMAPOLA (VERSÃO REMASTERIZADA)
IPIEUGENE GOHIN

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Songwriter profiles

EUGENE GOHINIPI

People also ask

What is the ISRC for "AMAPOLA (VERSÃO REMASTERIZADA)" by ROBERTO CARLOS?
The ISRC for "AMAPOLA (VERSÃO REMASTERIZADA)" by ROBERTO CARLOS is BRSME6400109.
Who wrote "AMAPOLA (VERSÃO REMASTERIZADA)"?
"AMAPOLA (VERSÃO REMASTERIZADA)" was written by EUGENE GOHIN, JOSEPH MARIA LACALLE, BERNARD LEONCE MARIE SAUVAT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRSME6400109?

BRSME6400109 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "AMAPOLA (VERSÃO REMASTERIZADA)" by ROBERTO CARLOS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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