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Vontade de acertar album cover

ISRC

BRSME0200228

Vontade de acertar2

Song: VONTADE DE ACERTAR

Reginaldo Rossi
unmatchedNot yet matched in the MLC database
Released 2002-07-12

Last verified:

BRSME0200228 is the International Standard Recording Code (ISRC) for the recording “Vontade de acertar” by Reginaldo Rossi, released 2002-07-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NIL BERNARDES, MARCO ANTONIO CAXOTE, LUIZ ANTONIO.

Format

BRCountry
SMERegistrant
02Year (2002)
00228Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

NIL BERNARDESComposer
MARCO ANTONIO CAXOTEComposer
LUIZ ANTONIOComposer

Credits Graph

MLC Song Code

V19660
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Vontade de acertar" by Reginaldo Rossi?
The ISRC for "Vontade de acertar" by Reginaldo Rossi is BRSME0200228.
Who wrote "Vontade de acertar"?
"Vontade de acertar" was written by NIL BERNARDES, MARCO ANTONIO CAXOTE, LUIZ ANTONIO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRSME0200228?

BRSME0200228 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Vontade de acertar” by Reginaldo Rossi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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