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SEM AS LÁGRIMAS NO MEU ROSTO album cover

ISRC

BRNKO1600028

SEM AS LÁGRIMAS NO MEU ROSTO

Song: SEM AS LAGRIMAS NO MEU ROSTO

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BRNKO1600028 is the International Standard Recording Code (ISRC) for the recording “SEM AS LÁGRIMAS NO MEU ROSTO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THEO MELLO.

Format

BRCountry
NKORegistrant
16Year (2016)
00028Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

THEO MELLOComposerLyricist
NIKON NORIYOSHI KOMARA PRODUCOES ME OriginalPublisher0.00%IPI: 00610158980
BMG GOLD SONGS RightsAdministrator100.00%IPI: 00601191692

Who publishes this song?

NIKON NORIYOSHI KOMARA PRODUCOES MEOriginalPublisher
IPI: 00610158980
BMG GOLD SONGSRightsAdministrator
IPI: 00601191692

MLC Song Code

SD14YV
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SourcesMLC

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People also ask

What is the ISRC for "SEM AS LÁGRIMAS NO MEU ROSTO"?
The ISRC for "SEM AS LÁGRIMAS NO MEU ROSTO" is BRNKO1600028.
Who wrote "SEM AS LÁGRIMAS NO MEU ROSTO"?
"SEM AS LÁGRIMAS NO MEU ROSTO" was written by THEO MELLO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRNKO1600028?

BRNKO1600028 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SEM AS LÁGRIMAS NO MEU ROSTO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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