Não quero mais amar ninguém album cover

ISRC

BREMI7300149

Não quero mais amar ninguém2

Song: NAO QUERO MAIS AMAR A NINGUEM

Paulinho da Viola
unmatchedNot yet matched in the MLC database
Released 2010-01-01

Last verified:

BREMI7300149 is the International Standard Recording Code (ISRC) for the recording “Não quero mais amar ninguém” by Paulinho da Viola, released 2010-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ZILDA GONCALVES, CARLOS MOREIRA DE CASTRO +, AGENOR DE OLIVEIRA, and others.

Format

BRCountry
EMIRegistrant
73Year (1973)
00149Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1973):
Last two digits of the reference year (1973). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNão quero mais amar ninguém

People also ask

What is the ISRC for "Não quero mais amar ninguém" by Paulinho da Viola?
The ISRC for "Não quero mais amar ninguém" by Paulinho da Viola is BREMI7300149.
Who wrote "Não quero mais amar ninguém"?
"Não quero mais amar ninguém" was written by ZILDA GONCALVES, CARLOS MOREIRA DE CASTRO +, AGENOR DE OLIVEIRA, CARLOS CACHACA, ANGENOR DE OLIVEIRA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BREMI7300149?

BREMI7300149 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Não quero mais amar ninguém” by Paulinho da Viola. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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