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ISRC

BRAGL1700080

DE REPENTE A GENTE NEM VAI PASSEAR

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BRAGL1700080 is the International Standard Recording Code (ISRC) for the recording “DE REPENTE A GENTE NEM VAI PASSEAR”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MAURICIO TAGLIARI, MAURICIO TAKARA, JOSE MAURICIO DE OLIVEIRA BUSSAB, and others.

Format

BRCountry
AGLRegistrant
17Year (2017)
00080Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDE REPENTE A GENTE NEM VAI PASSEAR
IPIMAURICIO TAGLIARI

Related

Songwriter profiles

MAURICIO TAGLIARIIPIMAURICIO TAKARAIPIJOSE MAURICIO DE OLIVEIRA BUSSABIPIMAURICIO DE ASSIS FLEURYIPIMAURICIO GALLACCI PEREIRAIPI

People also ask

What is the ISRC for "DE REPENTE A GENTE NEM VAI PASSEAR"?
The ISRC for "DE REPENTE A GENTE NEM VAI PASSEAR" is BRAGL1700080.
Who wrote "DE REPENTE A GENTE NEM VAI PASSEAR"?
"DE REPENTE A GENTE NEM VAI PASSEAR" was written by MAURICIO TAGLIARI, MAURICIO TAKARA, JOSE MAURICIO DE OLIVEIRA BUSSAB, MAURICIO DE ASSIS FLEURY, MAURICIO OLIVEIRA, MAURICIO GALLACCI PEREIRA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRAGL1700080?

BRAGL1700080 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “DE REPENTE A GENTE NEM VAI PASSEAR”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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