ISRC
BK4DA2411964
GRACIAS DIOS MIO
Last verified:
BK4DA2411964 is the International Standard Recording Code (ISRC) for the recording “GRACIAS DIOS MIO” by KEVIN ROLDAN KRIS R AND KRIST ON THE BEAT, KEVIN ROLDAN, KRIS R. AND KRIST ON THE BEAT, KRIST ON THE BEAT, KEVIN ROLDAN KRIS R. KRIST ON THE BEAT, KRIS R., KRIS R. & KEVIN ROLDÁN, KRIS R. KEVIN ROLDÁN KRIST ON THE BEAT, KRIST ON THE BEAT KEVIN ROLDAN KRIS R., KRIST ON THE BEAT & KEVIN ROLDÁN & KRIS R., KEVIN ROLDÁN & KRIS R., KRIST ON THE BEAT;KEVIN ROLDÁN;KRIS R., KRIST ON THE BEAT KRIS R. KEVIN ROLDAN. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Format
- Country:
- ISO 3166-1 alpha-2 country code (BK).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (2024):
- Last two digits of the reference year (2024). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
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What is ISRC BK4DA2411964?
BK4DA2411964 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “GRACIAS DIOS MIO” by KEVIN ROLDAN KRIS R AND KRIST ON THE BEAT, KEVIN ROLDAN, KRIS R. AND KRIST ON THE BEAT, KRIST ON THE BEAT, KEVIN ROLDAN KRIS R. KRIST ON THE BEAT, KRIS R., KRIS R. & KEVIN ROLDÁN, KRIS R. KEVIN ROLDÁN KRIST ON THE BEAT, KRIST ON THE BEAT KEVIN ROLDAN KRIS R., KRIST ON THE BEAT & KEVIN ROLDÁN & KRIS R., KEVIN ROLDÁN & KRIS R., KRIST ON THE BEAT;KEVIN ROLDÁN;KRIS R., KRIST ON THE BEAT KRIS R. KEVIN ROLDAN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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