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Variations sérieuses in D minor, op. 54 album cover

ISRC

BER181159812

Variations sérieuses in D minor, op. 542

Song: VARIATIONS SÉRIEUSES IN D MINOR OP. 54

Olga Pashchenko
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Released 2013-01-28

Last verified:

BER181159812 is the International Standard Recording Code (ISRC) for the recording “Variations sérieuses in D minor, op. 54” by Olga Pashchenko, released 2013-01-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FELIX MENDELSSOHN.

Format

BECountry
R18Registrant
11Year (2011)
59812Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

FELIX MENDELSSOHNComposerLyricist

Credits Graph

MLC Song Code

VA8V8Q
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SourcesMusicBrainzMLCNotes3 sources

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People also ask

What is the ISRC for "Variations sérieuses in D minor, op. 54" by Olga Pashchenko?
The ISRC for "Variations sérieuses in D minor, op. 54" by Olga Pashchenko is BER181159812.
Who wrote "Variations sérieuses in D minor, op. 54"?
"Variations sérieuses in D minor, op. 54" was written by FELIX MENDELSSOHN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BER181159812?

BER181159812 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Variations sérieuses in D minor, op. 54” by Olga Pashchenko. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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