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  3. BEL531400013

ISRC

BEL531400013

Occhi di ragazza

Claude Barzotti
Released 2014-04-28

Last verified: March 23, 2026

BEL531400013 is the International Standard Recording Code (ISRC) for the recording “Occhi di ragazza” by Claude Barzotti, released 2014-04-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

BECountry
L53Registrant
14Year (2014)
00013Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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  • MusicBrainz recording record

People also ask

What is the ISRC for "Occhi di ragazza" by Claude Barzotti?+
The ISRC for "Occhi di ragazza" by Claude Barzotti is BEL531400013.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC BEL531400013?

BEL531400013 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Occhi di ragazza” by Claude Barzotti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

Claude Barzotti

BEL531400013 is the International Standard Recording Code (ISRC) for the recording “Occhi di ragazza” by Claude Barzotti, released 2014-04-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Claude Barzotti

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