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PROTEÇÃO DE TELA album cover

ISRC

BCXM72200236

PROTEÇÃO DE TELA

Song: PROTECAO DE TELA

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BCXM72200236 is the International Standard Recording Code (ISRC) for the recording “PROTEÇÃO DE TELA”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROMULO AUGUSTO MATA DE CARVALHO, RICARDUS RICARDUS MAXIMUS MIRANDA DA CUNHA JUNIOR, CICERO QUEIROZ DIAS, and others.

Format

BCCountry
XM7Registrant
22Year (2022)
00236Designation
Country:
ISO 3166-1 alpha-2 country code (BC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPROTEÇÃO DE TELA
IPIROMULO AUGUSTO MATA DE CARVALHO

Related

Songwriter profiles

ROMULO AUGUSTO MATA DE CARVALHOIPIRICARDUS RICARDUS MAXIMUS MIRANDA DA CUNHA JUNIORIPI

People also ask

What is the ISRC for "PROTEÇÃO DE TELA"?
The ISRC for "PROTEÇÃO DE TELA" is BCXM72200236.
Who wrote "PROTEÇÃO DE TELA"?
"PROTEÇÃO DE TELA" was written by ROMULO AUGUSTO MATA DE CARVALHO, RICARDUS RICARDUS MAXIMUS MIRANDA DA CUNHA JUNIOR, CICERO QUEIROZ DIAS, WILDINEY DOS SANTOS MENDES, FELLIPE LIMA NASCIMENTO, MARCO AURELIO NUNES DE OLIVEIRA, MARCOS ROGERIO DE SOUZA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BCXM72200236?

BCXM72200236 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “PROTEÇÃO DE TELA”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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