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ISRC

BCTWP2500010

LOVEZIN BANDIDO

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BCTWP2500010 is the International Standard Recording Code (ISRC) for the recording “LOVEZIN BANDIDO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALESSANDRO LISBOA FARIAS, FRANCISCO JHON CLAY NASCIMENTO DE SOUZA, WALLACE ALEXANDRE DOS SANTOS CRUZ, and others.

Format

BCCountry
TWPRegistrant
25Year (2025)
00010Designation
Country:
ISO 3166-1 alpha-2 country code (BC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLOVEZIN BANDIDO
IPIALESSANDRO LISBOA FARIAS

Related

Songwriter profiles

ALESSANDRO LISBOA FARIASIPIWALLACE ALEXANDRE DOS SANTOS CRUZIPIJOAO BATISTA JUNES DA ROCHAIPIROBERTO SOUZA ROCHAIPIYAGO NUNES DA SILVAIPI

People also ask

What is the ISRC for "LOVEZIN BANDIDO"?
The ISRC for "LOVEZIN BANDIDO" is BCTWP2500010.
Who wrote "LOVEZIN BANDIDO"?
"LOVEZIN BANDIDO" was written by ALESSANDRO LISBOA FARIAS, FRANCISCO JHON CLAY NASCIMENTO DE SOUZA, WALLACE ALEXANDRE DOS SANTOS CRUZ, JOAO BATISTA JUNES DA ROCHA, ROBERTO SOUZA ROCHA, RAPHAEL KLISMMAN DOS SANTOS DA SILVA, YAGO NUNES DA SILVA, ALESSANDRO LISBOA FARIAS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BCTWP2500010?

BCTWP2500010 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LOVEZIN BANDIDO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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