E se não era amor (acústico) album cover

ISRC

BCML02100001

E se não era amor (acústico)

Song: E SE NAO ERA AMOR?

Romero FerroDuda Brack
matched
Released 2021-01-28

Last verified:

BCML02100001 is the International Standard Recording Code (ISRC) for the recording "E se não era amor (acústico)" by Romero Ferro, Duda Brack, released 2021-01-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by AUGUSTO TAVARES GUERRA DO NASCIMENTO, ROMERO BRITO CAVALCANTI NETO, EDUARDO ANDRADE SULIANO.

Format

BCCountry
ML0Registrant
21Year (2021)
00001Designation
Country:
ISO 3166-1 alpha-2 country code (BC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCE se não era amor (acústico)

People also ask

What is the ISRC for "E se não era amor (acústico)" by Romero Ferro?
The ISRC for "E se não era amor (acústico)" by Romero Ferro, Duda Brack is BCML02100001.
Who wrote "E se não era amor (acústico)"?
"E se não era amor (acústico)" was written by AUGUSTO TAVARES GUERRA DO NASCIMENTO, ROMERO BRITO CAVALCANTI NETO, EDUARDO ANDRADE SULIANO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BCML02100001?

BCML02100001 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "E se não era amor (acústico)" by Romero Ferro, Duda Brack. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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