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DISTURB DE ROAN (JENKINS RIDDIM) album cover

ISRC

BBA151818010

DISTURB DE ROAN (JENKINS RIDDIM)

"""ANDERSON """"BLOOD"""" ARMSTRONG""""""ANDERSON """"BLOOD"""" ARMSTRONG NAYASHA"""NAYASHAANDERSON BLOOD ARMSTRONG
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BBA151818010 is the International Standard Recording Code (ISRC) for the recording “DISTURB DE ROAN (JENKINS RIDDIM)” by """ANDERSON """"BLOOD"""" ARMSTRONG""", """ANDERSON """"BLOOD"""" ARMSTRONG NAYASHA""", NAYASHA, ANDERSON BLOOD ARMSTRONG. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

BBCountry
A15Registrant
18Year (2018)
18010Designation
Country:
ISO 3166-1 alpha-2 country code (BB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "DISTURB DE ROAN (JENKINS RIDDIM)" by """ANDERSON """"BLOOD"""" ARMSTRONG"""?
The ISRC for "DISTURB DE ROAN (JENKINS RIDDIM)" by """ANDERSON """"BLOOD"""" ARMSTRONG""", """ANDERSON """"BLOOD"""" ARMSTRONG NAYASHA""", NAYASHA, ANDERSON BLOOD ARMSTRONG is BBA151818010.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BBA151818010?

BBA151818010 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “DISTURB DE ROAN (JENKINS RIDDIM)” by """ANDERSON """"BLOOD"""" ARMSTRONG""", """ANDERSON """"BLOOD"""" ARMSTRONG NAYASHA""", NAYASHA, ANDERSON BLOOD ARMSTRONG. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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