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THE TUNNEL (MAIN MIX) album cover

ISRC

AUXN22462056

THE TUNNEL (MAIN MIX)

COL LAWTONGLASS SLIPPER AND DUBEATSDUBEATS COL LAWTON GLASS SLIPPER
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AUXN22462056 is the International Standard Recording Code (ISRC) for the recording “THE TUNNEL (MAIN MIX)” by COL LAWTON, GLASS SLIPPER AND DUBEATS, DUBEATS COL LAWTON GLASS SLIPPER. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by COLIN CARR-LAWTON, BRAD ELLER, LISA CORK-TWISS, and others.

Format

AUCountry
XN2Registrant
24Year (2024)
62056Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHE TUNNEL (MAIN MIX)
IPICOLIN CARR-LAWTON

People also ask

What is the ISRC for "THE TUNNEL (MAIN MIX)" by COL LAWTON?
The ISRC for "THE TUNNEL (MAIN MIX)" by COL LAWTON, GLASS SLIPPER AND DUBEATS, DUBEATS COL LAWTON GLASS SLIPPER is AUXN22462056.
Who wrote "THE TUNNEL (MAIN MIX)"?
"THE TUNNEL (MAIN MIX)" was written by COLIN CARR-LAWTON, BRAD ELLER, LISA CORK-TWISS, DAN WILLIAMS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUXN22462056?

AUXN22462056 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “THE TUNNEL (MAIN MIX)” by COL LAWTON, GLASS SLIPPER AND DUBEATS, DUBEATS COL LAWTON GLASS SLIPPER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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