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ISRC

AUVC01202222

Release Me (Vandalism remix)

Angger DimasPolina
Released 2012-05-18

Last verified: July 31, 2026

AUVC01202222 is the International Standard Recording Code (ISRC) for the recording “Release Me (Vandalism remix)” by Angger Dimas, Polina, released 2012-05-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
VC0Registrant
12Year (2012)
02222Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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  • MusicBrainz recording record

People also ask

What is the ISRC for "Release Me (Vandalism remix)" by Angger Dimas?+
The ISRC for "Release Me (Vandalism remix)" by Angger Dimas, Polina is AUVC01202222.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC AUVC01202222?

AUVC01202222 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Release Me (Vandalism remix)” by Angger Dimas, Polina. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

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Angger DimasPolina

AUVC01202222 is the International Standard Recording Code (ISRC) for the recording “Release Me (Vandalism remix)” by Angger Dimas, Polina, released 2012-05-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Angger Dimas, Polina