PAST WON'T LEAVE MY BED (ORIGINALLY PERFORMED BY JOJI) album cover

ISRC

AURFF2504076

PAST WON'T LEAVE MY BED (ORIGINALLY PERFORMED BY JOJI)

Song: PAST WON'T LEAVE MY BED

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AURFF2504076 is the International Standard Recording Code (ISRC) for the recording “PAST WON'T LEAVE MY BED (ORIGINALLY PERFORMED BY JOJI). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOJI KUSUNOKI, P.J.A. WILLIAMS, DAN FARBER, and others.

Format

AUCountry
RFFRegistrant
25Year (2025)
04076Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPAST WON'T LEAVE MY BED (ORIGINALLY PERFORMED BY JOJI)

People also ask

What is the ISRC for "PAST WON'T LEAVE MY BED (ORIGINALLY PERFORMED BY JOJI)"?
The ISRC for "PAST WON'T LEAVE MY BED (ORIGINALLY PERFORMED BY JOJI)" is AURFF2504076.
Who wrote "PAST WON'T LEAVE MY BED (ORIGINALLY PERFORMED BY JOJI)"?
"PAST WON'T LEAVE MY BED (ORIGINALLY PERFORMED BY JOJI)" was written by JOJI KUSUNOKI, P.J.A. WILLIAMS, DAN FARBER, NICHOLAS MICHAEL FURLONG, JOHNATHAN CARTER CUNNINGHAM.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AURFF2504076?

AURFF2504076 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “PAST WON'T LEAVE MY BED (ORIGINALLY PERFORMED BY JOJI). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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