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ECHOPLEX - FT MAI album cover

ISRC

AUMH31000059

ECHOPLEX - FT MAI

Song: ECHOPLEX

MIAMI HORROR
unmatchedNot yet matched in the MLC database
Released 2010-01-01

Last verified:

AUMH31000059 is the International Standard Recording Code (ISRC) for the recording "ECHOPLEX - FT MAI" by MIAMI HORROR, released 2010-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KARIM MORCOS.

Format

AUCountry
MH3Registrant
10Year (2010)
00059Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

100%
KARIM MORCOSComposer100%
TUNECORE DIGITAL MUSIC OriginalPublisherIPI: 00642005099

Who publishes this song?

TUNECORE DIGITAL MUSICOriginalPublisher
IPI: 00642005099

MLC Song Code

Z3657K
Verify on MLC Portal →
SourcesNotesMusicBrainz2 sources

Verified on

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Songwriter profiles

People also ask

What is the ISRC for "ECHOPLEX - FT MAI" by MIAMI HORROR?
The ISRC for "ECHOPLEX - FT MAI" by MIAMI HORROR is AUMH31000059.
Who wrote "ECHOPLEX - FT MAI"?
"ECHOPLEX - FT MAI" was written by KARIM MORCOS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUMH31000059?

AUMH31000059 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "ECHOPLEX - FT MAI" by MIAMI HORROR. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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