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ISRC

AUEL00700048

Where I Stood (Acoustic)2

Song: WHERE I STOOD

Missy Higgins
matched
Released 2009-01-22

Last verified:

AUEL00700048 is the International Standard Recording Code (ISRC) for the recording “Where I Stood (Acoustic)” by Missy Higgins, released 2009-01-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MELISSA MORRISON HIGGINS.

Format

AUCountry
EL0Registrant
07Year (2007)
00048Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MELISSA MORRISON HIGGINSComposer
MUSIC OF HIPGNOSIS OriginalPublisher100.00%IPI: 01071748455

Who publishes this song?

MUSIC OF HIPGNOSISOriginalPublisher
IPI: 01071748455

Credits Graph

MLC Song Code

WVADG8
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Where I Stood (Acoustic)" by Missy Higgins?
The ISRC for "Where I Stood (Acoustic)" by Missy Higgins is AUEL00700048.
Who wrote "Where I Stood (Acoustic)"?
"Where I Stood (Acoustic)" was written by MELISSA MORRISON HIGGINS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUEL00700048?

AUEL00700048 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Where I Stood (Acoustic)” by Missy Higgins. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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