ISRC

AUABO0350300

Cantata BWV 208: Aria (Soprano) "Schafe können sicher weiden"

Song: Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”

Sara MacliverOrchestra of the AntipodesAntony Walker
Released 2003-01-01

Last verified:

AUABO0350300 is the International Standard Recording Code (ISRC) for the recording "Cantata BWV 208: Aria (Soprano) "Schafe können sicher weiden"" by Sara Macliver, Orchestra of the Antipodes, Antony Walker, released 2003-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
ABORegistrant
03Year (2003)
50300Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Cantata BWV 208: Aria (Soprano) "Schafe können sicher weiden"" by Sara Macliver?
The ISRC for "Cantata BWV 208: Aria (Soprano) "Schafe können sicher weiden"" by Sara Macliver, Orchestra of the Antipodes, Antony Walker is AUABO0350300.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUABO0350300?

AUABO0350300 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cantata BWV 208: Aria (Soprano) "Schafe können sicher weiden"" by Sara Macliver, Orchestra of the Antipodes, Antony Walker. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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