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ISRC

AUAB09950259

Piano Concerto no. 1: The Twenty-Two Paths of the Tarot: 17. Phei: The Star

Song: Piano Concerto No. 1: The Twenty-Two Paths of the Tarot: 17. Phei: The Star

Roger WoodwardAdelaide Symphony OrchestraDavid Porcelijn

Last verified:

AUAB09950259 is the International Standard Recording Code (ISRC) for the recording "Piano Concerto no. 1: The Twenty-Two Paths of the Tarot: 17. Phei: The Star" by Roger Woodward, Adelaide Symphony Orchestra, David Porcelijn. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
AB0Registrant
99Year (1999)
50259Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Piano Concerto no. 1: The Twenty-Two Paths of the Tarot: 17. Phei: The Star" by Roger Woodward?
The ISRC for "Piano Concerto no. 1: The Twenty-Two Paths of the Tarot: 17. Phei: The Star" by Roger Woodward, Adelaide Symphony Orchestra, David Porcelijn is AUAB09950259.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUAB09950259?

AUAB09950259 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Piano Concerto no. 1: The Twenty-Two Paths of the Tarot: 17. Phei: The Star" by Roger Woodward, Adelaide Symphony Orchestra, David Porcelijn. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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