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Tannhäuser: Dich teure Halle (Act II) album cover

ISRC

AUAB09150003

Tannhäuser: Dich teure Halle (Act II)

Song: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Einleitung und Szene I. "Dich, teure Halle, grüss ich wieder" (Elisabeth)

Marilyn RichardsonQueensland Symphony OrchestraWerner Andreas Albert
Released 1999-01-01

Last verified:

AUAB09150003 is the International Standard Recording Code (ISRC) for the recording “Tannhäuser: Dich teure Halle (Act II)” by Marilyn Richardson, Queensland Symphony Orchestra, Werner Andreas Albert, released 1999-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
AB0Registrant
91Year (1991)
50003Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Tannhäuser: Dich teure Halle (Act II)" by Marilyn Richardson?
The ISRC for "Tannhäuser: Dich teure Halle (Act II)" by Marilyn Richardson, Queensland Symphony Orchestra, Werner Andreas Albert is AUAB09150003.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUAB09150003?

AUAB09150003 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Tannhäuser: Dich teure Halle (Act II)” by Marilyn Richardson, Queensland Symphony Orchestra, Werner Andreas Albert. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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