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I Covered the Canals (Copenhagen), 2019 album cover

ISRC

AUAB02150251

I Covered the Canals (Copenhagen), 2019

Novak ManojlovicJacques EmeryYuhki MayneJames ArmstrongBethany CondonFreya Schack-Arnott
Released 2021-11-05

Last verified:

AUAB02150251 is the International Standard Recording Code (ISRC) for the recording “I Covered the Canals (Copenhagen), 2019” by Novak Manojlovic, Jacques Emery, Yuhki Mayne, James Armstrong, Bethany Condon, Freya Schack-Arnott, released 2021-11-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
AB0Registrant
21Year (2021)
50251Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "I Covered the Canals (Copenhagen), 2019" by Novak Manojlovic?
The ISRC for "I Covered the Canals (Copenhagen), 2019" by Novak Manojlovic, Jacques Emery, Yuhki Mayne, James Armstrong, Bethany Condon, Freya Schack-Arnott is AUAB02150251.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUAB02150251?

AUAB02150251 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I Covered the Canals (Copenhagen), 2019” by Novak Manojlovic, Jacques Emery, Yuhki Mayne, James Armstrong, Bethany Condon, Freya Schack-Arnott. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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