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Concerto a Piu Istrumenti in E major, Op. 6 No. 11: 2. Aria (Cantabile) album cover

ISRC

AUAB00450387

Concerto a Piu Istrumenti in E major, Op. 6 No. 11: 2. Aria (Cantabile)

Lucinda MoonAustralian Brandenburg OrchestraPaul Dyer
Released 2021-01-01

Last verified:

AUAB00450387 is the International Standard Recording Code (ISRC) for the recording "Concerto a Piu Istrumenti in E major, Op. 6 No. 11: 2. Aria (Cantabile)" by Lucinda Moon, Australian Brandenburg Orchestra, Paul Dyer, released 2021-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
AB0Registrant
04Year (2004)
50387Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Concerto a Piu Istrumenti in E major, Op. 6 No. 11: 2. Aria (Cantabile)" by Lucinda Moon?
The ISRC for "Concerto a Piu Istrumenti in E major, Op. 6 No. 11: 2. Aria (Cantabile)" by Lucinda Moon, Australian Brandenburg Orchestra, Paul Dyer is AUAB00450387.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUAB00450387?

AUAB00450387 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto a Piu Istrumenti in E major, Op. 6 No. 11: 2. Aria (Cantabile)" by Lucinda Moon, Australian Brandenburg Orchestra, Paul Dyer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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