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ISRC

AU7J41093276

I'VE BEEN DRIVING ON BALD MOUNTAIN WATER BOY

Song: I'VE BEEN DRIVING ON BALD MOUNTAIN

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AU7J41093276 is the International Standard Recording Code (ISRC) for the recording “I'VE BEEN DRIVING ON BALD MOUNTAIN WATER BOY”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ODETTA.

Format

AUCountry
7J4Registrant
10Year (2010)
93276Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ODETTAComposer
SANGA MUSIC OriginalPublisher0.00%IPI: 00027521796
FIGS. D MUSIC, INC. RightsAdministrator100.00%IPI: 00533878031

Who publishes this song?

SANGA MUSICOriginalPublisher
IPI: 00027521796
FIGS. D MUSIC, INC.RightsAdministrator
IPI: 00533878031

MLC Song Code

I09003
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SourcesMLC

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People also ask

What is the ISRC for "I'VE BEEN DRIVING ON BALD MOUNTAIN WATER BOY"?
The ISRC for "I'VE BEEN DRIVING ON BALD MOUNTAIN WATER BOY" is AU7J41093276.
Who wrote "I'VE BEEN DRIVING ON BALD MOUNTAIN WATER BOY"?
"I'VE BEEN DRIVING ON BALD MOUNTAIN WATER BOY" was written by ODETTA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AU7J41093276?

AU7J41093276 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I'VE BEEN DRIVING ON BALD MOUNTAIN WATER BOY”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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