ISRC

AU7J41083087

CONCERTO FOR FLUTE & ORCHESTRA NO. 1 IN G MAJOR, K. 313: II. ADAGIO

Song: CONCERTO FOR FLUTE & ORCHESTRA NO. 1, G MAJOR, KV 313

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AU7J41083087 is the International Standard Recording Code (ISRC) for the recording "CONCERTO FOR FLUTE & ORCHESTRA NO. 1 IN G MAJOR, K. 313: II. ADAGIO". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WOLFGANG AMADEUS MOZART, PROF. GERBER.

Format

AUCountry
7J4Registrant
10Year (2010)
83087Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCONCERTO FOR FLUTE & ORCHESTRA NO. 1 IN G MAJOR, K. 313: II. ADAGIO

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People also ask

What is the ISRC for "CONCERTO FOR FLUTE & ORCHESTRA NO. 1 IN G MAJOR, K. 313: II. ADAGIO"?
The ISRC for "CONCERTO FOR FLUTE & ORCHESTRA NO. 1 IN G MAJOR, K. 313: II. ADAGIO" is AU7J41083087.
Who wrote "CONCERTO FOR FLUTE & ORCHESTRA NO. 1 IN G MAJOR, K. 313: II. ADAGIO"?
"CONCERTO FOR FLUTE & ORCHESTRA NO. 1 IN G MAJOR, K. 313: II. ADAGIO" was written by WOLFGANG AMADEUS MOZART, PROF. GERBER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AU7J41083087?

AU7J41083087 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "CONCERTO FOR FLUTE & ORCHESTRA NO. 1 IN G MAJOR, K. 313: II. ADAGIO". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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