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ISRC

AU7J41082654

SYMPHONY NO. 39 IN E-FLAT MAJOR, K. 543: II. ANDANTE CON MOTO

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AU7J41082654 is the International Standard Recording Code (ISRC) for the recording “SYMPHONY NO. 39 IN E-FLAT MAJOR, K. 543: II. ANDANTE CON MOTO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WOLFGANG AMADEUS MOZART, DONALD MICHAEL KASEN.

Format

AUCountry
7J4Registrant
10Year (2010)
82654Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSYMPHONY NO. 39 IN E-FLAT MAJOR, K. 543: II. ANDANTE CON MOTO
IPIWOLFGANG AMADEUS MOZART

Related

Songwriter profiles

WOLFGANG AMADEUS MOZARTIPIDONALD MICHAEL KASENIPI

People also ask

What is the ISRC for "SYMPHONY NO. 39 IN E-FLAT MAJOR, K. 543: II. ANDANTE CON MOTO"?
The ISRC for "SYMPHONY NO. 39 IN E-FLAT MAJOR, K. 543: II. ANDANTE CON MOTO" is AU7J41082654.
Who wrote "SYMPHONY NO. 39 IN E-FLAT MAJOR, K. 543: II. ANDANTE CON MOTO"?
"SYMPHONY NO. 39 IN E-FLAT MAJOR, K. 543: II. ANDANTE CON MOTO" was written by WOLFGANG AMADEUS MOZART, DONALD MICHAEL KASEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AU7J41082654?

AU7J41082654 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SYMPHONY NO. 39 IN E-FLAT MAJOR, K. 543: II. ANDANTE CON MOTO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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