ISRC

ATR981298057

CONCERTO FOR ORCHESTRA, SZ.116: III. ELEGIA. ANDANTE NON TROPPO (LIVE)

Song: CONCERTO FOR ORCHESTRA, SZ 116 - III. ELEGIA (ANDANTE NON TROPPO)

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ATR981298057 is the International Standard Recording Code (ISRC) for the recording “CONCERTO FOR ORCHESTRA, SZ.116: III. ELEGIA. ANDANTE NON TROPPO (LIVE). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BELA BARTO.

Format

ATCountry
R98Registrant
12Year (2012)
98057Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCONCERTO FOR ORCHESTRA, SZ.116: III. ELEGIA. ANDANTE NON TROPPO (LIVE)

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People also ask

What is the ISRC for "CONCERTO FOR ORCHESTRA, SZ.116: III. ELEGIA. ANDANTE NON TROPPO (LIVE)"?
The ISRC for "CONCERTO FOR ORCHESTRA, SZ.116: III. ELEGIA. ANDANTE NON TROPPO (LIVE)" is ATR981298057.
Who wrote "CONCERTO FOR ORCHESTRA, SZ.116: III. ELEGIA. ANDANTE NON TROPPO (LIVE)"?
"CONCERTO FOR ORCHESTRA, SZ.116: III. ELEGIA. ANDANTE NON TROPPO (LIVE)" was written by BELA BARTO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATR981298057?

ATR981298057 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “CONCERTO FOR ORCHESTRA, SZ.116: III. ELEGIA. ANDANTE NON TROPPO (LIVE). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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