War Out (The End?) album cover

ISRC

ATN262534710

War Out (The End?)

Song: WAR OUT

1914
matched
Released 2025-11-14

Last verified:

ATN262534710 is the International Standard Recording Code (ISRC) for the recording “War Out (The End?) by 1914, released 2025-11-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DMYTRO TERNUSHCHAK, OLEKSA FISYUK.

Format

ATCountry
N26Registrant
25Year (2025)
34710Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DMYTRO TERNUSHCHAKComposerLyricist
IRON AVANTGARDE PUBLISHING GMBH OriginalPublisherIPI: 00663875501
SONY/ATV TUNES LLC SubPublisherIPI: 00338164558
OLEKSA FISYUKComposer

Who publishes this song?

IRON AVANTGARDE PUBLISHING GMBHOriginalPublisher
IPI: 00663875501
SONY/ATV TUNES LLCSubPublisher
IPI: 00338164558
SourcesMusicBrainz

Verified on

People also ask

What is the ISRC for "War Out (The End?)" by 1914?
The ISRC for "War Out (The End?)" by 1914 is ATN262534710.
Who wrote "War Out (The End?)"?
"War Out (The End?)" was written by DMYTRO TERNUSHCHAK, OLEKSA FISYUK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATN262534710?

ATN262534710 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “War Out (The End?) by 1914. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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