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FASCHINGSSCHWANK AUS WIEN, OP. 26: NO. 4, INTERMEZZO album cover

ISRC

ATMA41500075

FASCHINGSSCHWANK AUS WIEN, OP. 26: NO. 4, INTERMEZZO

Song: FASCHINGSSCHWANK AUS WIEN OP26 4 INTERMEZZO DG

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ATMA41500075 is the International Standard Recording Code (ISRC) for the recording “FASCHINGSSCHWANK AUS WIEN, OP. 26: NO. 4, INTERMEZZO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROBERT ALEXANDER SCHUMANN.

Format

ATCountry
MA4Registrant
15Year (2015)
00075Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFASCHINGSSCHWANK AUS WIEN, OP. 26: NO. 4, INTERMEZZO
IPIROBERT ALEXANDER SCHUMANN

Related

Songwriter profiles

ROBERT ALEXANDER SCHUMANNIPI

People also ask

What is the ISRC for "FASCHINGSSCHWANK AUS WIEN, OP. 26: NO. 4, INTERMEZZO"?
The ISRC for "FASCHINGSSCHWANK AUS WIEN, OP. 26: NO. 4, INTERMEZZO" is ATMA41500075.
Who wrote "FASCHINGSSCHWANK AUS WIEN, OP. 26: NO. 4, INTERMEZZO"?
"FASCHINGSSCHWANK AUS WIEN, OP. 26: NO. 4, INTERMEZZO" was written by ROBERT ALEXANDER SCHUMANN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA41500075?

ATMA41500075 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “FASCHINGSSCHWANK AUS WIEN, OP. 26: NO. 4, INTERMEZZO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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