ISRC

ATMA41300088

CONCERTO NO. 2 IN G MINOR, OP.8 NO.2 RV315 SUMMER : III. PRESTO

Song: "CONCERTO FOR VIOLION AND STRINGS IN G MINOR, OP.8, NO. 2, R.315 ""L'ESTATE"""

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ATMA41300088 is the International Standard Recording Code (ISRC) for the recording “CONCERTO NO. 2 IN G MINOR, OP.8 NO.2 RV315 SUMMER : III. PRESTO. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANTONIO LUCIO VIVALDI, VITTORIO NEGRI.

Format

ATCountry
MA4Registrant
13Year (2013)
00088Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCONCERTO NO. 2 IN G MINOR, OP.8 NO.2 RV315 SUMMER : III. PRESTO

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People also ask

What is the ISRC for "CONCERTO NO. 2 IN G MINOR, OP.8 NO.2 RV315 SUMMER : III. PRESTO"?
The ISRC for "CONCERTO NO. 2 IN G MINOR, OP.8 NO.2 RV315 SUMMER : III. PRESTO" is ATMA41300088.
Who wrote "CONCERTO NO. 2 IN G MINOR, OP.8 NO.2 RV315 SUMMER : III. PRESTO"?
"CONCERTO NO. 2 IN G MINOR, OP.8 NO.2 RV315 SUMMER : III. PRESTO" was written by ANTONIO LUCIO VIVALDI, VITTORIO NEGRI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA41300088?

ATMA41300088 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “CONCERTO NO. 2 IN G MINOR, OP.8 NO.2 RV315 SUMMER : III. PRESTO. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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