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TRIO IN G MINOR, OP. 15: II. ALLEGRO MA NON AGITATO album cover

ISRC

ATMA40511994

TRIO IN G MINOR, OP. 15: II. ALLEGRO MA NON AGITATO

Song: PIANO TRIO OP. 15: II. ALLEGRO, MA NON AGITATO - ALTERNATIVO

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ATMA40511994 is the International Standard Recording Code (ISRC) for the recording “TRIO IN G MINOR, OP. 15: II. ALLEGRO MA NON AGITATO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BEDRICH FRIEDRICH SMETANA.

Format

ATCountry
MA4Registrant
05Year (2005)
11994Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTRIO IN G MINOR, OP. 15: II. ALLEGRO MA NON AGITATO
IPIBEDRICH FRIEDRICH SMETANA

Related

Songwriter profiles

BEDRICH FRIEDRICH SMETANAIPI

People also ask

What is the ISRC for "TRIO IN G MINOR, OP. 15: II. ALLEGRO MA NON AGITATO"?
The ISRC for "TRIO IN G MINOR, OP. 15: II. ALLEGRO MA NON AGITATO" is ATMA40511994.
Who wrote "TRIO IN G MINOR, OP. 15: II. ALLEGRO MA NON AGITATO"?
"TRIO IN G MINOR, OP. 15: II. ALLEGRO MA NON AGITATO" was written by BEDRICH FRIEDRICH SMETANA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA40511994?

ATMA40511994 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “TRIO IN G MINOR, OP. 15: II. ALLEGRO MA NON AGITATO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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