"""""""DIE GRÄFIN MARIZA: GRÜSS MIR MEIN WIEN (TASSILO)""""""" album cover

ISRC

ATMA40510272

"""""""DIE GRÄFIN MARIZA: GRÜSS MIR MEIN WIEN (TASSILO)"""""""

Song: GRAFIN MARIZA--GRUSS MIR MEIN WIEN

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ATMA40510272 is the International Standard Recording Code (ISRC) for the recording “"""""""DIE GRÄFIN MARIZA: GRÜSS MIR MEIN WIEN (TASSILO)""""""". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by EMMERICH KALMAN.

Format

ATCountry
MA4Registrant
05Year (2005)
10272Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"""""""DIE GRÄFIN MARIZA: GRÜSS MIR MEIN WIEN (TASSILO)"""""""

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People also ask

What is the ISRC for """"""""DIE GRÄFIN MARIZA: GRÜSS MIR MEIN WIEN (TASSILO)""""""""?
The ISRC for """"""""DIE GRÄFIN MARIZA: GRÜSS MIR MEIN WIEN (TASSILO)"""""""" is ATMA40510272.
Who wrote """"""""DIE GRÄFIN MARIZA: GRÜSS MIR MEIN WIEN (TASSILO)""""""""?
""""""""DIE GRÄFIN MARIZA: GRÜSS MIR MEIN WIEN (TASSILO)"""""""" was written by EMMERICH KALMAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA40510272?

ATMA40510272 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “"""""""DIE GRÄFIN MARIZA: GRÜSS MIR MEIN WIEN (TASSILO)""""""". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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